Is the way these poems work in part by having an auditory aspect, a soundtrack that does not quite fit what is emerging visually? And to have a sense of touch working in still a third way? I do not have time to work this out now but there is something symphonic happening, or some kind of rock and roll, some back beat.
People try to read poems like coded messages and they are wrong on this. I do not really have any options, anyway, so I should stop being so depressed and be a professor.