Category Archives: Cinearte

Domingo

⇒ The best political action we can take right now is to work against voter suppression. (Z)

⇒ The roundups of indocumentados are a beginning, and we should pay attention. (Z)

⇒ The use of indocumentados is a form of slavery. Capitalism requires slavery, and slaves must be foreign. (Z)

⇒Racist imperatives fuel the militarization of the border. (Nicky)

⇒Poetry is only a havoc that restores. It dissipates the false pretenses of an ordered world. (Bataille 1943)

Today in culture:

Let’s look at a timeless Vermeer. And another. And more.
An interesting translation magazine: Palabras errantes.
Cinema tropical.
Huizache.

Fifteen Afro-Latin films everyone should see.
I am not your negro is playing now and must be seen.
On Netflix, we must see 13th.
We will see Ixcanul on Netflix as well, and Herzog’s Into the inferno.

Sidney Blumenthal has a smart history of the Trump family in the London Review of Books.
Jonathan Mayhew has good advice on how to learn foreign languages.
Rosie Gray discusses Bannon and the white supremacy movement in The Atlantic.
Nikil Saval writes about Gareth Dale writing about Karl Polanyi, and I would have liked to converse with this man; he is important.

Activism:

I have heard there is a number you can text to your phone, that will program in the numbers of your senators and representatives. You can do this, too.

Work:

I was going to make an announcement about, and a commitment to archiving bibliography in Zotero and/or JabRef, and not an Amazon wishlist or even Evernote. Instead, I simply started.

Axé.

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Dread Scott

This is the artist. This is the work. Here is an excerpt:

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No legacy || Electronic literature

We will go here. Not to the opening, of course, but to the exhibit, during the summer … and there is much that can be streamed (if you can tolerate one more moment on screen, that is).

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Chris Marker

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Viaje hacia la noche

A documentary on César Moro.

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Diego, Frida, and Leon in Mexico, 1938

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El libertador

This might turn out to be a Hollywood-style film, but one must see it for the soundtrack at least. I think I will show it at the beginning of my Colonial class in the fall, and then use the semester to show how the continent got to that point.

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